He is a native of Sulu, is a sculptor, painter, photographer, ceramist, documentary film maker, cultural researcher, writer, and articulator of Philippine Muslim art and culture.Through his works, the indigenous ukkil, sarimanok and naga motifs have been popularized and instilled in the consciousness of the Filipino nation and other peoples as original Filipino creations.His U.P. art education introduced him to Filipino masters like Guillermo Tolentino and Napoleon Abueva, who were among his mentors.With his large-scale sculptures and monuments of Muslim and regional heroes and leaders gracing selected sites from Batanes to Tawi-tawi, Imao has helped develop among cultural groups trust and confidence necessary for the building of a more just and humane society.
In his nomination papers, Imao is described as having helped Tausugs, Maranaos, Cordillerans, T’bolis and other indigenous peoples “develop their art by introducing techniques and promote efficiency and economy in the use of indigenous materials in all aspects of the brass making process, as in the making of moulds and ornamentation.”
His works have been featured in Philippine and international publications, including the University of the Philippines Islamic Center Magazine, Arts of Asia Magazine, International Sunburst Magazine, Encyclopedia of World’s Art and Encyclopedia Americana, London’s Arts and the Islamic World Magazine.
Imao was honored with a Gawad CCP (Cultural Center of the Philippines) sa Sining Award in 1990, the second highest recognition in culture and the arts and the Presidential Medal of Merit for his contribution to Philippine culture and arts last year.
Selected works:
Industry Brass Mural, Philippine National Bank, San Fernando, La Union
Mural Relief on Filmmaking, Manila City Hall
Industrial Mural, Central Bank of the Philippines, San Fernando, La Union
Sulu Warriors (statues of Panglima Unaid and Captain Abdurahim Imao), 6 ft., Sulu Provincial Capitol
Jose T. Joya
He espoused the value of kinetic energy and spontaneity in painting which became significant artistic values in Philippine art. His paintings clearly show his mastery of 'gestural paintings' where paint is applied intuitively and spontaneously, in broad brush strokes, using brushes or spatula or is directly squeezed from the tube and splashed across the canvas. His 1958 landmark painting Granadean Arabesque, a work on canvas big enough to be called a mural, features swipes and gobs of impasto and sand. The choice of Joya to represent the Philippines in the 1964 Venice Biennial itself represents a high peak in the rise of the modern art in the country.
GRANADEAN ARABESQUE
ABSTRACT PAINTINGS BY JOYA
Joya also led the way for younger artists in bringing out the potentials of multimedia. He designed and painted on ceramic vessels, plates and tiles, and stimulated regional workshops. He also did work in the graphic arts, particularly in printmaking.
SELECTED ARTWORKS:
Beethoven Listening to the Blues
Space Transfiguration
Hills of NikkO
Abstraction
Dimension of Fear
Naiad
Torogan
Cityscape
ANG KIUKOK
Born to immigrant Chinese parents Vicente Ang and Chin Lim, Ang Kiukok is one of the most vital and dynamic figures who emerged during the 60s and continues to make an impact up to the present. As one of those who came at the heels of the pioneering modernists during that decade, Ang Kiukok blazed a formal and iconographic path of his own through expressionistic works of high visual impact and compelling meaning.
He crystallized in vivid, cubistic figures the terror and angst of the times. Shaped in the furnace of the political turmoil of those times, Ang Kiukok pursued an expression imbued with nationalist fervor and sociological agenda.
Some of his works include: Geometric Landscape (1969); Pieta, which won for him the bronze medal in the 1st International Art Exhibition held in Saigon (1962); and the Seated Figure (1979), auctioned at Sotheby’s in Singapore.
His works can be found in many major art collections, among them the Cultural Center of the Philippines, National Historical Museum of Taipei, and the National Museum in Singapore.
Ang Kiukok died on May 9, 2004
SOME OF ANG KIUKOK'S ARTWORKS...
"GEOMETRIC LANDSCAPE"
"THE CYNIC, THE IDEALIST"
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![](file:///C:/DOCUME%7E1/unc/LOCALS%7E1/Temp/moz-screenshot-8.jpg)
"MOTHER AND SON"
"CRUCIFIXION"
CESAR LEGASPI
A pioneer "Neo-Realist" of the country, Cesar Legaspi is remembered for his singular achievement of refining cubism in the Philippine context. Legaspi belonged to the so-called "Thirteen Moderns" and later, the "Neo-realists". His distinctive style and daring themes contributed significantly to the advent and eventual acceptance of modern art in the Philippines. Legaspi made use of the geometric fragmentation technique, weaving social comment and juxtaposing the mythical and modern into his overlapping, interacting forms with disturbing power and intensity.
REFERENCES:
http://www.ncca.gov.ph/about-ncca/org-awards/viual-arts/abdulmari_isao.php
http://www.ncca.gov.ph/about-ncca/org-awards/viual-arts/jose_joya.php
http://www.ncca.gov.ph/about-ncca/org-awards/viual-arts/ang_kiukok.php
http://www.ncca.gov.ph/about-ncca/org-awards/viual-arts/cesar_legaspi.php
attractive postings! well chosen artworks!
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